Frieze in Production
Frieze keeps surtitles, accessibility captions, cueing, and output mapping in one production workflow for theatre, opera, and screenings.
Production Workflows
Prepare the show, make rehearsal changes, and run every output from the same project.
Launch complex captioning setups with less prep. Frieze keeps tracks, outputs, and surfaces in one workspace so operators and AV teams can move from setup to rehearsal with fewer handoffs and less rework.
Edit text and styling by track, group, individual row, or globally, while preserving the relationships you’ve set between styling layers as requirements evolve. Operators can quickly and reliably readjust the project during rehearsal and resolve changes before the audience arrives.
Run translated surtitles and accessibility captions from the same project. Keep languages, caption tracks, and operator views separate, with control over where and how each track is presented across the venue.
Technical Delivery
Keep screen assignments, timecode, and exports connected to the same production source.
Route tracks to auditorium displays, LED walls, projectors, confidence monitors, and virtual outputs inside Frieze. Text editing, playback, and delivery remain in one workflow.
Frieze testcard mode makes track-to-surface assignments immediately visible, helping operators avoid wrong-language and wrong-screen mistakes under tight production timelines.
Export VTT or SRT for Vimeo and YouTube, or TTML for finishing in DaVinci Resolve and Adobe Premiere Pro with timing and line positions intact.
Record timecodes as the operator triggers subtitles during a performance, then use them to align subtitle and video tracks for streaming, festival delivery, or international distribution.